Serge Koussevitzky conducted the first Boston Symphony Orchestra performances of the overture on December 1 and 2, 1944. Mozart’s choice of clarinets instead of oboes produces a gentler woodwind sonority especially appropriate to the autumnal lyricism of Symphony No. PYOTR ILYICH TCHAIKOVSKY (1840-1893)Serenade in C for Strings, Opus 48. They are all either educational pieces, which could serve students well, or small and easy compositions that might be expected to have a good sale when published. The main theme ends with a momentary turn to the minor just before the cadence; at the corresponding point in the recapitulation, this generates a surprising but completely logical passage in C‑flat minor (written, however, as B minor) before the imitative woodwind theme returns in the tonic. 2 BARBER Adagio for Strings HAYDN Symphony No. Finally, the following year, he brought out his first book, which contained the text of the eclogue entitled “L’Après-midi d’un faune.” Mallarmé continued to hope for a theatrical performance; as late as 1891 he promised in print to produce a new version for the theater. 41 by Wolfgang Amade-us Mozart, a sublime masterpiece from 1788 that exemplifies why its composer occupies a spot on the very top rung of symphonic creation. His last three symphonies, K. 543, 550, and 551, were all composed during the summer of 1788, probably for a series of subscription concerts that seem not to have taken place. PROGRAM NOTES by Kalindi Bellach ©2019. 23 in A major, K. 488 BORN: January 27, 1756, in Salzburg DIED: December 5, 1791, in Vienna WORK COMPOSED: early in 1786 WORLD PREMIERE: Unknown, but almost certainly March 1786, in Vienna, with the composer playing the solo part and conducting from the keyboard. Symphony No. Mozart adhered to the prevalent Parisian style, featuring timbals, trumpets and – a first for Mozart – clarinets, but did not include a minuet. Mozart’s attempt to improve his family’s situation during this difficult summer is clearly apparent in the “minor” works he was composing along with the three symphonies. The score calls for flutes, oboes, clarinets, bassoons, horns, and trumpets in pairs, timpani, and strings. In the meantime, the Elector of Mannheim had inherited the Wittelsbach throne, so the court (and the whole extensive musical establishment) moved to Munich. )[4], The work evidently was popular. The sheer speed is daunting. The symphony is laid out in fast-slow-fast form, omitting the Minuet normally found in classical-era symphonies: The first movement opens with a rising and accelerating D major scale in an effect known at the time as the Mannheim Rocket. His greatest success of this period of time was the Paris Symphony. The surviving fragments of what is now known as Symphony No. 102. Menuetto—Trio—Menuetto da capo IV. Died December 5, 1791, Vienna, Austria. The resulting work is rich in elaborate choruses, and it boasts some superb ensemble numbers as well, including a great climactic quartet. He began composing the Prélude à l’Après-midi d’un faune in 1892 and completed the full score on October 23, 1894. The actual thematic matter is relatively conventional, more a matter of figures than melodies, but there is not development as such, and most of the working-out of ideas comes at their presentation." There are 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings. Mozart seems to have been the sort of openhanded type who could never stop spending money faster than he earned it, and when the Viennese public found other novelties for amusement, Mozart’s star began to fall. It was an overture dealing with Napoleon’s invasion of Russia in 1812, and would call for actual cannons in performance. The first movement opens with a stately slow introduction with dotted rhythms providing a nervous background for scale figures (which recur in the body of the movement), culminating in a grindingly dissonant appoggiatura. For this event Mozart was given an extraordinary ensemble—the finest orchestra in Europe (the Mannheim orchestra, which had recently been moved to Munich) with twice the usual number of strings and a full wind complement including, for the first time in Mozart’s experience, clarinets. The hearty minuet provides a strong contrast to the delicacies of the Andante; its Trio features a clarinet solo with little echoes from the flute. The slow movement, in A‑flat, opens with deceptive simplicity; it is, in fact, a richly detailed movement, with progressive elaborations of the material throughout. Program Notes. Most listeners, though, have been content to wallow in this exquisitely wrought play of color, harmony, and misty melody without bothering to consider how much of the future was already implicit in this brief score. It was premiered in Prague on January 19, 1787, during Mozart's first visit to the city.Because it was first performed in Prague, it is popularly known as the Prague Symphony.Mozart's autograph thematic catalogue records December 6, 1786, as the date of completion for this composition. CLAUDE DEBUSSY (1862-1918)Prelude to The Afternoon of a Faun. Kansas Cty Symphony PROGRAM NOTES By Ken Meltzer 28 2018/19 Season kcsymphony.org | WOLFGANG AMADEUS MOZART (1756-1791) Symphony No. WOLFGANG AMADÈ MOZART (1756-1791)Symphony No. In January 1779 Mozart reluctantly returned to Salzburg after a disastrous two-year trip to Germany and Paris. By June 1788 Mozart’s fortunes had entered on the long, steady decline that culminated in his death, at age thirty-five, three-and-a-half years later. Gone were the heady days of 1784, when he music was in constant demand in Vienna (during one hectic eleven-day period, he gave ten concerts!) Symphony No. 29 in A Major, his third (and last) in that key, was finished in 1774. ... WOLFGANG AMADÈ MOZART (1756-1791) Symphony No. WOLFGANG AMADÈ MOZART (1756-1791) ... Mozart, en route to Paris with his mother, made an extended and happy visit to Mannheim, home of the finest orchestra in Europe‑‑“an orchestra of generals,” Mozart called it. ORCHESTRAL SUITE NO. In order to accomplish this aim, Mozart proposed to his librettist, a Salzburg cleric named Abbé Giambattista Varesco, that the story be cast more in the French manner, with ensembles and choruses to vary the texture. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. Throughout his life, he was also interested in music; he had even written an essay on Wagner for the “Revue wagnerienne” in 1885. The Three Bs. The careful bridging of sections, so that nothing ever quite comes to a full close without suggesting continuation, effectively blurs what is, after all, a fairly straightforward ABA form. The original plan was to have a series of staged tableaux accompanied by music, each scene to be set by a different composer, chosen by lot. Duration is about 23 minutes. Allegro Intermission Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Then came Don Giovanni, composed for the citizens of Prague who had taken Figaro completely to their hearts. Again on June 17 he needed money to pay his landlord and asked Puchberg for a few hundred gulden “until tomorrow.” Yet again on the 27th he wrote to thank Puchberg for the money so freely lent him, but also to report that he needed still more and did not know where to turn for it. When Mozart returned to Salzburg, he tried his hand at several pieces in this new form, and the three MAGNIFICENT MOZART PROGRAM NOTES Symphony No. One of the most “French” elements of Idomeneo in its original Munich production (though one that has not been included in many performances since) is the extended ballet at the very end of the opera, after all the singing has ended. PROGRAM: Bach – Orchestral Suite No. Mozart and Friends Program Notes. His books are available at the Symphony Store in Davies Symphony Hall. Featuring: William Boughton, conductor Tai Murray, Violin. The first of the three, in E-flat major, was completed on June 26; we have no record that any of these symphonies was ever performed in Mozart’s lifetime, though he is unlikely to have composed something as elaborate as a symphony (much less three of them) purely “on spec,” and he must have anticipated some concert series on which they would be heard. Program: MOZART “Paris” Symphony No. 38 in D major, K. 504, was composed by Wolfgang Amadeus Mozart in late 1786. It is clear from these letters that Mozart was in serious financial difficulty (a situation that was only just beginning to change at the time of his death). Mozart & Mendelssohn. Andante III. 39 in E-flat Major, K. 543, Enhanced Program Notes: MOZART + HAYDN Portrait of Joseph Haydn by Thomas Hardy, 1791. Based on CDC guidelines and the results of the patron survey, the Symphony has developed a comprehensive list of safety protocols that will be in place during the 2020/21 season. Pyotr Ilyich Tchaikovsky was born in Kamsko-Votkinsk, Vyatka province, Russia, on May 7, 1840, and died in St. Petersburg on November 6, 1893. PROGRAM NOTES by Phillip Huscher Wolfgang Mozart Born January 27, 1756, Salzburg, Austria. Duration is about 29 minutes. Mozart's 1778 six month trip to Paris was a difficult time for him personally and professionally, according to SPSO program notes. This was Mozart’s first symphony … 3. The score calls for flute, two each of clarinets, bassoons, horns, and trumpets, plus timpani and strings. This wonderful ballet music, symbolizing the harmonious resolution of the dramatic situation, shows us a Mozart reveling in the quality of the finest orchestra he had yet had at his disposal. The composer noted on the score that he preferred to have as large an ensemble of orchestral strings as possible for performances of the work. This was all the more easily accomplished in that the libretto was derived from that of an earlier French opera, Idomenée, whose libretto was written by Antoine Danchet for Campra in 1712. 31 PROKOFIEV Violin Concerto No. Having been told that his work would be of no interest as a theatrical piece, he put it aside for a decade. © Steven Ledbetter (www.stevenledbetter.com), Times-Union Center for the Performing Arts 300 Water Street, Suite 200 Jacksonville, FL 32202, Administration: 904-354-5479 Giving: 904-358-1479, Plan Your Visit Resources & Finances News Memberships Employment & Auditions, Times-Union Center for the Performing Arts. Following a passage on the nearby key of A‑flat, a vigorous modulation seems to be leading to C minor, but at the last moment a wonderful woodwind extension brings it around to the home key and ushers in the recapitulation. 102. Duration is about 28 minutes. [5] The work was published in Paris by Sieber and announced for sale 20 February 1779. November 6, 2019. The work was performed with great success by the Société Nationale de la Musique on December 22 and 23 that year under the direction of the Swiss conductor Gustave Doret. The development section is one of the shortest in any Mozart symphony, never moving far afield harmonically. The dates of the first performances are unknown. Bianca Ancheta. Tchaikovsky spent most of the year 1880 in the country, part of the time installed at Simaki, a small house on one of the estates of his patroness, Nadezhda von Meck, where, as always, he carefully avoided personal contact with the woman whom he addressed as “Dearest Friend” in a long and intensely personal series of letters covering the years of her support. If Mozart had continued to work in that vein, the history of opera might have been very different. The safety of patrons, musicians and staff remains the Symphony’s top priority. Debussy’s success in obtaining this fluid, pastel effect can be measured by the fact that musicians still argue about where the various sections begin and end. The finale is often called the most Haydnesque movement Mozart ever wrote, largely because it is nearly monothematic. WORLD PREMIERE: June 12, 1778, at the Paris home of Count Sickingen. hybrid form of a concerto/symphony in which multiple soloists are featured independent from the orchestra, with a more defined soloistic role than the Baroque concerto grosso form. He had hoped to obtain financial stability through the performances of his operas, but The Marriage of Figaro achieved only nine performances during its season in the repertory (1786), partly, at least, because other, more influentially placed, composers had their own fish to fry and were not interested in supporting Mozart. On February 10, 1794 Solomon presented the premiere as part of a concert at Hanover Square that included a piano concerto by Dusseck and a new violin concerto by Viotti (with the composer doing the solo honors). The actual thematic matter is relatively conventional, more a matter of figures than melodies, but there is not development as such, and most of the working-out of ideas comes at their presentation. The Symphony No. 99 was composed in early 1794 prior to Haydn's arrival in London. But as it was, most of his remaining operas were in the genres of the German Singspiel or the Italian opera buffa, both of which had quite different traditions and requirements from the opera seria. Symphony No. During the year he had witnessed, both in Mannheim and Paris, the highest quality of operatic production, and he was eager to contribute to it. In Paris, Mozart's mother is very sick, and she will die shortly after the premiere of this new symphony, his 31st, still known as the "Paris". His first letter to Puchberg referred to “concerts in the Casino,” from which he hoped to obtain subscription money in order to repay his debts. 39 in E‑flat major, K.543. In contrast to the symphony on tonight’s program, which shows the composer in an exalted mode, the Concerto for Flute and Harp is a youthful and charming work, easy on the ears and sprinkled with delicate ornament. Mozart Masonic Funeral Music, K. 477 Mozart Symphony No. 4 IN D MAJOR, BMV 1069 Johann Sebastian Bach (1685-1750) The premiere took place on 12 June 1778 in a private performance in the home of Count Karl Heinrich Joseph von Sickingen, the ambassador of the Electorate of the Palatinate. 10, D. 936a, reveal three movements; the Andante on tonight’s program is the second. Following that performance, Mozart replaced the symphony’s original Andante with another movement in the same tempo and the new version of the symphony was unveiled in a Paris concert on August 15. How astonishing, then, to realize that between the last two letters cited he composed the Symphony No. Featuring: William Boughton, conductor Tai Murray, Violin. The score calls for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones, timpani, and strings. Both second movements still exist,[9] as does a sketch of an earlier longer version of the 68 Andantino. In 1875, Mallarmé tried to get his work published as “Improvisation du faune” in a literary anthology, again without success. The RCM Classical Orchestra, directed by Matthew Truscott, performs Mozart's Symphony no 31. Just as we seem about to settle onto the dominant, ready to begin the Allegro, the activity decelerates and we are confronted with a stark, hushed chromatic figure recalling some of the “uncanny” moments in Don Giovanni. During the years 1782 to 1788, Sieber's catalog described it as "in the repertoire of the Concert Spirituel". 4 Bizet – Symphony in C Major Beethoven – Piano Concerto No. 36 in C Major, K.425,“Linz”Wolfgang Amadeus Mozart When Mozart married Constanze Weber in August 1782, in Vienna, Mozart’s family saw her as their intellectual and social inferior.
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